Archive for category cameras
Nikon’s Two FX-Format Lenses

Nikon with two lenses for its dSLRs, with both optics catering to its FX-format (full-frame) cameras such as the D700 and D3 series. The AF-S Nikkor 16-35mm F4 ED VR is a new wide-angle zoom lens range in Nikon’s lineup. It features the Silent Wave Motor (SWM) for quick and quiet focusing. The minimum aperture is F22 and the glasses within consist of 17 elements in 12 groups. The closest focusing distance is rated at around 30cm and it has a 77mm filter ring size.

The AF-S Nikkor 24mm F1.4 ED is a fixed wide-angle lens that gives a wide 84-degree viewing angle when used with FX shooters. Like the 16-35mm, this lens comes with SWM as well. The lens structure comprise 12 elements in 10 groups, with the minimum aperture being F16. The lens diameter is also 77mm.
Nature’s FDC01

The Digital Harinezumi and Yashica EZ F521, but they don’t come close to the Fun Nature FDC01 in terms of surprise. That elements come into play when you don’t know what you have shot until you plug the shooter to your computer to preview the images. Measuring just 53 x 23 x 19mm and weighing a feather-light 21g, the FDC01 comes with a keychain so you can attach it to your bag or even lanyard. It comes in either cyan or magenta. There’s a switch for toggling between macro and landscape, and two unlabeled buttons for the shutter and power/mode. We’d advise reading the user manual before attempting to operate this camera. Feature-wise, the 1.92-megapixel FDC01 has only the bare essentials. The lens is fixed at 39.5mm and there are no exposure controls (except for focus) for you to fiddle around with. There is also no viewfinder, so you’ll have to guess what the lens is seeing. However, there are three filter effects which you can apply to make your pictures look more interesting; the unpredictable results can be fun. We’ll get to that later.
The FDC01 has 64MB of internal memory and has a slot for microSD cards of only up to 2GB. Bear in mind that any images in the internal storage will be wiped out once the non-removable battery is drained, so it’s best to use a memory card with the camera. There is a USB port at the bottom of the snapper to charge the juice pack and to connect to a computer to view the images. The USB cable is supplied in the package.
Canon with EOS 550D

Nikon, Sony, and Pentax in that extremely popular price segment, Canon instead chose to release an update to its more expensive EOS 500D, in the less competitive US$800-US$1000 range. Included in the new Canon dSLR are some notable enhancements to the video capabilities and the updated metering scheme from the 7D, but the EOS 550D also seems to retain the old autofocus system from the 500D and a possibly unwelcome jump to 18-megapixel resolution.
Given Canon’s focus on staying ahead of the field for video implementations in dSLRs, unsurprisingly the most whizzy new feature of the EOS 550D is support for 1080p video at 30 frames per second (as well as 24p and PAL-friendly 25p) and 720p at 60/50fps. Those video files may make the camera’s SDXC card support a necessity. There’s also a jack for an external microphone. Canon also claims full manual controls and on-demand autofocus during shooting (which you don’t really want to do with most lenses, since they’re too noisy) as well as the usual set of manual exposure controls. In addition, in VGA quality (which the company mistakenly refers to as standard definition) the new camera supports a form of digital zoom where it optically crops to a smaller area on the sensor in order to produce a greater telephoto effect. For photographers, the new high-resolution display–it uses a slightly wider 3:2 aspect ratio instead of the 4:3 ratio in the 500D–and the incorporation of the 7D’s metering system should also be very welcome. Canon also says that it has an expanded exposure compensation range up to five stops, which sounds really nice for HDR work, although it’s not clear whether it can handle more than the typical three-shot bracket.
